artist background

Jadele McPherson is a performance artist who has worked in music and theater in Chicago, New York, Miami and Cuba for two decades. She has performed throughout the U.S. and internationally in Europe, Asia, and the Caribbean. Jadele began her musical journey at a young age playing Violin and Oboe, and singing in choirs before she began working as a vocalist rooted in Afro-Cuban sacred music, guided by akpón Naivis Angarica. McPherson wields her voice and sound art to create collaborative works based in Black experimental and improvisational lineages, and to explore healing and embodied memory in the African Diaspora. She founded the interdisciplinary theater collective Lukumi Arts (2008), which has produced an array of projects focused on sound and healing, and mutual aid. The pieces narrate local histories by immersing audiences in live, interactive musical experiences.

Some of Jadele’s most recent performance work includes a residency at JACK in Brooklyn (April 2021) focused on creatively engaging Eusebia Cosme’s archive and legacy; a performance for Abigail DeVille’s Light of Freedom at the Hirshhorn Museum in Washington D.C. (October 2021). Early this year her single on the album Lovely by Miguelo Valdés and the Feeling Messengers was released and McPherson had her debut performance at Carnegie Hall with the world renowned percussionist, singer and bandleader Pedrito Martinez and his band for Yoruba Soy in December 2021.

In February 2019 Jadele released her solo debut EP entitled “Peace & Quiet” while she has collaborated with many musicians. Some of those credits include a residency at the Zinc Bar with pianist-composer Dayramir Gonzalez for (2015); Okonkolo which released an EP and album led by musician-babalawo Abraham Rodriguez, Freedom Now! by singer-cultural worker Karma Mayet Johnson; Word, Rock & Sword concerts curated by Toshi Reagon; Shake Loose: A Celebration of Sonia Sanchez at the Schomburg Center for Research in Black Culture; and the James Baldwin tribute Can I Get a Witness? at Harlem Stage, co-created by director Charlotte Brathwaite and bassist Meshell Ndegeocello, and No More Water/The Fire Next Time at Park Ave Armory (2018).

Jadele has organized and participated in many panels, artist talks, and media interviews. After she produced La Sirene, a piece about José Antonio Aponte and spiritual memory in the Cuban and Haitian diasporas (2016), she was invited to curate a musical performance for the Visionary Aponte: Art and Black Freedom exhibition at NYU in 2018. In December 2020 McPherson produced the artist talk and performance series Mind, Body & Soul: Afrofuturist Sacred Sounds as a fellow working with the Seminar on Public Engagement and Collaborative Research at the CUNY Graduate Center.

photo credit: Jesus Baez photos below: Juan Caballero (Yemaya stage) Bernadeta Serafin (Capote & McPherson), Michael Madera and Walter Wlodarczyk (A Woman’s Body is Her Nation, Yali Romagoza)

TEMPO IROKO: ELEGGUA is out now https://jadelemc.bandcamp.com/album/tempo-iroko-eleggua

Education

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Education 〰️

Present Ph.D.Candidate Cultural Anthropology, The CUNY Graduate Center, New York, NY.

2022 M.Phil. Cultural Anthropology, The CUNY Graduate Center, New York, NY.

2006 M.A. Social Sciences (MAPSS), The University of Chicago, Chicago, IL.

2005 B.A. Latin American Studies, Oberlin College, Oberlin, OH.


Experience

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Experience 〰️

August 2022-July 2023 CUNY Dissertation Fellow, Schomburg Center for Research in Black Culture, Harlem, NY
The Schomburg Center Scholars-in-Residence Program offers long-term and short-term fellowships to support artists, scholars, and writers working on projects that would benefit from access to the Center's extensive resources for the study of African diasporic history, politics, literature, and culture. This residency focused on archival research about Eusebia Cosme in the Cosme Papers and the Club Cubano Inter-Americano collections.

September 2022-2023 Artist-Scholar in Residence, the Center for Humanities at The Graduate Center New York, NY
The residency focuses on creative production and environmental justice for raising awareness about the lack of equity to the East River for communities of color and immigrant communities that are a vital part of the cultural life of Brooklyn and the NYC tri-state area. The project initiates five public performances that are site-specific works at the East River on both the Brooklyn and Manhattan sides of the East River and Ellis Island.

July 2020-2022 Teaching Fellow, Mellon Seminar for Public Engagement and Collaborative Research
The Seminar on Public Engagement and Collaborative Research supports and amplifies the intellectual, creative, and digital work emerging at the convergence of the arts and humanities, the digital humanities, the humanities-related social sciences, and social justice. I fulfilled my teaching fellowship at LaGuardia Community College by teaching the Music of Latin America in the Music Department.

January 2018-June 2020 Adjunct Professor, LaGuardia Community College, Queens, NY
Adjunct Professor teaching Critical Thinking in the Philosophy and an introductory course in the Anthropology Department. The adjunct positions began from 2018-2020 the Mellon Humanities Alliance was a two year program that supported the cohort with monthly meetings to share pedagogical practices.


Publishing

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Publishing 〰️

A Review of Channeling Knowledges: Water and Afro-Diasporic Spirits in Latinx and Caribbean Worlds, ReVista: Harvard Review of Latin America, January 26, 2024

The Art of Ancestral Conjure” Abigail DeVille Bronx Heavens Exhibit, The Bronx Museum of the Arts, Bronx, NY October 2022

“Eusebia Cosme and El Cobre: Performing Sacred Histories” ReVista: Harvard Review of Latin America, March 2021

“Sueños, espiritus y memoria en la poesía negra de Eusebia Cosme” {Dreams, Spirits and Memory in Eusebia Cosme’s Black Poetry} Isla Diseminada Hypermedia Editorial 2022 editors Justo Planas, Alex Werner and Jorge Avila.

Afro Blue, un homenaje: Room of My Own, Howlround Theater Commons, http://howlround.com/afro-blue-un-homenaje-a-room-of-my-own#disqus_thread April 11th, 2017

“Rethinking Afrolatinidad: African-Americans, Afro-Latinos, Latinos and Afro-Cuban Religions in Chicago” Vol.26 No.1 Spring 2007 Afro-Hispanic Review, Vanderbilt University


PERFORMANCES

December 2024 (forthcoming) Prospect 6 by Abigail DeVille, New Orleans, LA.

September 2024 Lift Every Voice, The Local, Saugerties, NY.

May 2024 Vis for Voices The Apollo, Harlem, NY

December 2023 aja monet at Pioneer Works in Brooklyn, NY

October 2023 (pray) by nicHi Douglas, Dramaturg, co-production produced by Ars Nova and the National Black Theater (NBT) New York, NY

February 2023 Theaster Gates and the Black Monks, Young Lords and Their Traces, New Museum, New York City


October 2021 Wake Up: Liberation Call by Abigail DeVille, Sculpture Garden Hirshhorn Art Museum, Washington D.C.

September 2021 The Woman’s body is Her Nation by Yali Romagoza, New York, NY

August 2021 Yemaya: Rebirthing to Existence by Beatrice Capote, Battery Park Dance Festival, New York, NY


December 2021 Yoruba Soy Yo: Pedrito Martinez, Carnegie Hall, New York, NY

October 2021 Wake Up: Liberation Call by Abigail DeVille, Sculpture Garden The

April 2021 Artist Residency, Eusebia Cosme Film Project, JACK, Brooklyn, NY

February 2019 Hilton Als Exhibit-Can I Get a Witness, David Zwirner Gallery, NY Word.Rock.Sword Le Poisson Rouge, New York, NY

July 2020 The Living Away Festival by William and Gabriela Burdsall, virtual


April 2019 Sonia Sanchez Tribute Schomburg Center for Research in Black Culture, Harlem, NY

March 2017 Curated by Dr. Ryan Mann-Hamilton, La Sirene: Rutas de Azúcar, Brown University, Providence, RI

February 2017 La Sirene at Sanctuary, HERE Arts New York, NY

January 2017 Festival de cultura y de arte Abacua Havana, Cuba by Angel Guerrero

December 2016 Can I Get a Witness, Harlem Stage

December 2016 La Sirene: Rutas de Azucar, JACK, Brooklyn, NY.


PUBLIC HUMANITIES

December 2020-April 2021 Mind, Body & Soul: Afrofuturist Sacred Sounds, Center for Humanities at the CUNY Graduate Center

September 2019 KOSANBA Conference, Duke University, Raleigh-Durham, NC July 2017 Juan “Chan” Campos Cardenas Workshop Series, New York, NY

February 2017 Seminar, Yale University, Institute of Sacred Music, New Haven, CT

October 22, 2016 NYU Tisch Now Africa Playwright Festival New York, NY

May 2016 Symposium on Theorizing Gender in Ethnomusicology II, Hunter College Department of Music, New York, NY

March 2015 Women of Power, Caribbean Cultural Center African Diaspora Institute (CCCADI), El Barrio, New York, NY

September 2015 Creating Healing Spaces: Music, Activism & Healing curated by Dr. Courtney Bryan and Princeton African American Studies

April 2015 Prophetika Talkbacks curated by Dr. Courtney Bryan with Dr. Imani Perry (Princeton University), Greg Tate Burnt Sugar Arkestra

 

Please email me to request a full CV.

Word, Rock and Sword: A Festival Exploration of Women’s Life

Word, Rock and Sword: A Festival Exploration of Women’s Life

Performing Bara at the Word Rock Sword Concert 2018 created by Toshi Reagon

Performing Bara at the Word Rock Sword Concert 2018 created by Toshi Reagon

Opening Shake Loose: A Celebration of Sonia Sanchez 2019 photo: Chester Higgins

Opening Shake Loose: A Celebration of Sonia Sanchez 2019 photo: Chester Higgins

Tribute to Sonia Sanchez at The Schomburg Center for Research in Black Culture (April 2019) curated by Novella Ford and Khalilah Bates photo Chester Higgins

Tribute to Sonia Sanchez at The Schomburg Center for Research in Black Culture (April 2019) curated by Novella Ford and Khalilah Bates photo Chester Higgins

Creating Healing Spaces, Bethany Baptist Church, Newark NJ curated by Dr. Courtney Bryan, photo credit: Sameer A. Khan

Creating Healing Spaces, Bethany Baptist Church, Newark NJ curated by Dr. Courtney Bryan, photo credit: Sameer A. Khan

Nathalie Guillaume and Maxine Montilus in La Sirene at JACK 2016, written by Jadele, photo credit: Sokari Ekine

Nathalie Guillaume and Maxine Montilus in La Sirene at JACK 2016, written by Jadele, photo credit: Sokari Ekine

In the Black prophetic tradition, music has been (and is) a vital component in the articulation of our freedom quests. Prophetika captures this truth completely. And what collaborators Justin Hicks, Courtney Bryan, Brandee Younger, and the dazzling Jadele McPherson have done with sound and music in this production is quite profound.
— Jessica Lyne, ARTS.BLACK