intro

Jadele McPherson, Ph.D. is an artist-scholar who has produced an extensive body of work as a vocalist, musician, and theatermaker. She wields her voice and creates sound art to produce collaborative projects based in Black experimental and improvisational lineages, and to explore healing and embodied memory in the African Diaspora. Her interdisciplinary theater collective Lukumi Arts (2008), has produced an array of projects focused on sound and healing, and mutual aid that narrate local histories and then immerse audiences in those stories through live, interactive musical experiences. As an artist and anthropologist she is interested in studying the impact of sound on social and cultural movements throughout the African Diaspora, with a focus on Afro-Cuban arts and intra-Caribbean migrations. Her current work amplifies the stories of Afro-Latinx artists and historical actors who participated in labor organizing, securing medical care, forming mutual aid networks and dismantling racial segregation in the U.S. Dr. McPherson is currently revising her dissertation Vamos a Vencer-We Will Overcome: The Sonic Performances of Afro-Cubans in Tampa into her first book manuscript.

Jadele McPherson is a recent graduate of the CUNY Graduate Center where she was the CUNY Dissertation Fellow at the Schomburg Center for Research in Black Culture from 2022-23. Her most recent work includes performance explorations of the orisha Yemayá, syncretized with the Virgen de Regla, through several collaborations in music, theater and Afro-Cuban performance across the country. She also served as the Dramaturg of (pray) by nicHi Douglas and composed by S T A R R Busby and JJJJJJerome Ellis produced by Ars Nova and The National Black Theatre (NBT) in New York, NY. IN 2024, Dr. McPherson released TEMPO IROKO, a new recording series featuring orisha songs, with the first EP dedicated to the guardian of the crossroads, Elegguá.

 

TEMPO IROKO: ELEGGUA is out now!!!!

Word, Rock and Sword: A Festival Exploration of Women’s Life

Word, Rock and Sword: A Festival Exploration of Women’s Life

Performing Bara at the Word Rock Sword Concert 2018 created by Toshi Reagon

Performing Bara at the Word Rock Sword Concert 2018 created by Toshi Reagon

Opening Shake Loose: A Celebration of Sonia Sanchez 2019 photo: Chester Higgins

Opening Shake Loose: A Celebration of Sonia Sanchez 2019 photo: Chester Higgins

Tribute to Sonia Sanchez at The Schomburg Center for Research in Black Culture (April 2019) curated by Novella Ford and Khalilah Bates photo Chester Higgins

Tribute to Sonia Sanchez at The Schomburg Center for Research in Black Culture (April 2019) curated by Novella Ford and Khalilah Bates photo Chester Higgins

Creating Healing Spaces, Bethany Baptist Church, Newark NJ curated by Dr. Courtney Bryan, photo credit: Sameer A. Khan

Creating Healing Spaces, Bethany Baptist Church, Newark NJ curated by Dr. Courtney Bryan, photo credit: Sameer A. Khan

Nathalie Guillaume and Maxine Montilus in La Sirene at JACK 2016, written by Jadele, photo credit: Sokari Ekine

Nathalie Guillaume and Maxine Montilus in La Sirene at JACK 2016, written by Jadele, photo credit: Sokari Ekine

In the Black prophetic tradition, music has been (and is) a vital component in the articulation of our freedom quests. Prophetika captures this truth completely. And what collaborators Justin Hicks, Courtney Bryan, Brandee Younger, and the dazzling Jadele McPherson have done with sound and music in this production is quite profound.
— Jessica Lyne, ARTS.BLACK

Education

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Education 〰️

2025 Ph.D. Cultural Anthropology, The CUNY Graduate Center, New York, NY.

2022 M.Phil. Cultural Anthropology, The CUNY Graduate Center, New York, NY.

2006 M.A. Social Sciences (MAPSS), The University of Chicago, Chicago, IL.

2005 B.A. Latin American Studies, Oberlin College, Oberlin, OH.

2004 Instituto de Literatura y Lingüística, Havana, Cuba.


Experience

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Experience 〰️

August 2022-July 2023 CUNY Dissertation Fellow, Schomburg Center for Research in Black Culture, Harlem, NY
The Schomburg Center Scholars-in-Residence Program offers long-term and short-term fellowships to support artists, scholars, and writers working on projects that would benefit from access to the Center's extensive resources for the study of African diasporic history, politics, literature, and culture. This residency focused on archival research about Eusebia Cosme in the Cosme Papers and the Club Cubano Inter-Americano collections.

September 2022-2023 Artist-Scholar in Residence, the Center for Humanities at The Graduate Center New York, NY
The residency focuses on creative production and environmental justice for raising awareness about the lack of equity to the East River for communities of color and immigrant communities that are a vital part of the cultural life of Brooklyn and the NYC tri-state area. The project initiates five public performances that are site-specific works at the East River on both the Brooklyn and Manhattan sides of the East River and Ellis Island.

July 2020-2022 Teaching Fellow, Mellon Seminar for Public Engagement and Collaborative Research
The Seminar on Public Engagement and Collaborative Research supports and amplifies the intellectual, creative, and digital work emerging at the convergence of the arts and humanities, the digital humanities, the humanities-related social sciences, and social justice. I fulfilled my teaching fellowship at LaGuardia Community College by teaching the Music of Latin America in the Music Department.

January 2018-June 2020 Adjunct Professor, LaGuardia Community College, Queens, NY
Adjunct Professor teaching Critical Thinking in the Philosophy and an introductory course in the Anthropology Department. The adjunct positions began from 2018-2020 the Mellon Humanities Alliance was a two year program that supported the cohort with monthly meetings to share pedagogical practices.


Publishing

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Publishing 〰️

A Review of Channeling Knowledges: Water and Afro-Diasporic Spirits in Latinx and Caribbean Worlds, ReVista: Harvard Review of Latin America, January 26, 2024

The Art of Ancestral Conjure” Abigail DeVille Bronx Heavens Exhibit, The Bronx Museum of the Arts, Bronx, NY October 2022

“Eusebia Cosme and El Cobre: Performing Sacred Histories” ReVista: Harvard Review of Latin America, March 2021

“Sueños, espiritus y memoria en la poesía negra de Eusebia Cosme” {Dreams, Spirits and Memory in Eusebia Cosme’s Black Poetry} Isla Diseminada Hypermedia Editorial 2022 editors Justo Planas, Alex Werner and Jorge Avila.

Afro Blue, un homenaje: Room of My Own, Howlround Theater Commons, http://howlround.com/afro-blue-un-homenaje-a-room-of-my-own#disqus_thread April 11th, 2017

“Rethinking Afrolatinidad: African-Americans, Afro-Latinos, Latinos and Afro-Cuban Religions in Chicago” Vol.26 No.1 Spring 2007 Afro-Hispanic Review, Vanderbilt University


Select PERFORMANCES

December 2024 Prospect 6 by Abigail DeVille, New Orleans, LA.

September 2024 Lift Every Voice, The Local, Saugerties, NY.

May 2024 Vis for Voices The Apollo, Harlem, NY

December 2023 aja monet at Pioneer Works in Brooklyn, NY

October 2023 (pray) by nicHi Douglas, Dramaturg, co-production produced by Ars Nova and the National Black Theater (NBT) New York, NY

February 2023 Theaster Gates and the Black Monks, Young Lords and Their Traces, New Museum, New York City.
October 2021 Wake Up: Liberation Call by Abigail DeVille, Sculpture Garden Hirshhorn Art Museum, Washington D.C.

September 2021 The Woman’s body is Her Nation by Yali Romagoza, New York, NY

August 2021 Yemaya: Rebirthing to Existence by Beatrice Capote, Battery Park Dance Festival, New York, NY


December 2021 Yoruba Soy Yo: Pedrito Martinez, Carnegie Hall, New York, NY

October 2021 Wake Up: Liberation Call by Abigail DeVille, Sculpture Garden The

April 2021 Artist Residency, Eusebia Cosme Film Project, JACK, Brooklyn, NY

February 2019 Hilton Als Exhibit-Can I Get a Witness, David Zwirner Gallery, NY Word.Rock.Sword Le Poisson Rouge, New York, NY

July 2020 The Living Away Festival by William and Gabriela Burdsall, virtual
April 2019 Sonia Sanchez Tribute Schomburg Center for Research in Black Culture, Harlem, NY

March 2017 Curated by Dr. Ryan Mann-Hamilton, La Sirene: Rutas de Azúcar, Brown University, Providence, RI

February 2017 La Sirene at Sanctuary, HERE Arts New York, NY

January 2017 Festival de cultura y de arte Abacua Havana, Cuba by Angel Guerrero

December 2016 Can I Get a Witness, Harlem Stage

December 2016 La Sirene: Rutas de Azucar, JACK, Brooklyn, NY.


PUBLIC HUMANITIES

December 2020-April 2021 Mind, Body & Soul: Afrofuturist Sacred Sounds, Center for Humanities at the CUNY Graduate Center

September 2019 KOSANBA Conference, Duke University, Raleigh-Durham, NC July 2017 Juan “Chan” Campos Cardenas Workshop Series, New York, NY

February 2017 Seminar, Yale University, Institute of Sacred Music, New Haven, CT

October 22, 2016 NYU Tisch Now Africa Playwright Festival New York, NY

May 2016 Symposium on Theorizing Gender in Ethnomusicology II, Hunter College Department of Music, New York, NY

March 2015 Women of Power, Caribbean Cultural Center African Diaspora Institute (CCCADI), El Barrio, New York, NY

September 2015 Creating Healing Spaces: Music, Activism & Healing curated by Dr. Courtney Bryan and Princeton African American Studies

April 2015 Prophetika Talkbacks curated by Dr. Courtney Bryan with Dr. Imani Perry (Princeton University), Greg Tate Burnt Sugar Arkestra

 

Please email me to request a full CV.